Visualization systems with multiple views are often used to represent data from different perspectives. There are many advantages in doing so, such as providing a way for users to understand a dataset by revealing its various attributes in separate views and offering additional information that could be more useful than if it was just one graph.

In visualization, “multiple views” refers to showing more than one visualization in the same system. We introduce the notion of toolbox views through examples from the literature, as well as our own prior work.

For this demo, we will show two interactive visualizations: Energy Futures and Pipeline Incidents. We de-signed and developed these visualizations as part of an open data initiative that aims to create interactive data visualizations to help make Canada’s energy data publicly accessible, transparent, and understandable.

While mobile visualization is not a new concept, there is not yet much dialogue about what specifically might make this mobile visualization unique. To help trigger innovative ideas and to begin an exploration of what might be possible in mobile visualization, we propose an exploratory ideation process.

Evaluation is increasingly recognized as an essential component of visualization research. However, evaluation itself is a changing research area. In particular, the many variations of qualitative research are emerging as important empirical methods. This half-day tutorial is designed for beginning to intermediate audiences.

Evaluation is increasingly recognized as an essential component of HCI research. However, evaluation itself is a changing research area. In particular, the many variations of qualitative research are emerging as important empirical methods. This half-day tutorial is designed for beginning to intermediate audiences.

We consider the challenges and potentials for multiple views when applied in immersive analytics. The changes in physical setup of very large and possibly multiple displays, potentially combined with smaller handheld displays that can be used for both input and display augmentation, in addition to new input technologies, challenges much of current practice in multiple views.

We explore the presentation technique of visual abstraction as a form of mediation to manage content generated by the public in order to maintain a respectful discourse. We identify technological and social mediation as two dimensions within the space of content mediation, and discuss different solutions based on related work in public interactive displays and art installations.